“As Madame Bovary, however, became a worldwide success, when at first it was understood and appreciated as a turning-point in the history of the novel by only a small circle of connoisseurs, the audience of novel-readers that was formed by it came to sanction the new canon of expectations; this canon made Feydeau's weaknesses – his flowery style, his modish effects, his lyrical-confessional cliches – unbearable, and allowed Fanny to fade into yesterday's bestseller” (Jauss, 2007: 28).
JAUSS, Hans Robert (2007). Toward An Aesthetic Of Reception. Translation by Timothy Bahti. Minneapolis: The University of Minnesota Press.
JAUSS, Hans Robert (2007). Toward An Aesthetic Of Reception. Translation by Timothy Bahti. Minneapolis: The University of Minnesota Press.
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