“The romantic hero first of all brings about the profound and, so to speak, religious blending of good and evil. This type of hero is “fatal” because fate confounds good and evil without man being able to prevent it. Fate does not allow judgments of value. It replaces them by the statement that “It is so” – which excuses everything, with the exception of the Creator, who alone is responsible for this scandalous state of affairs” (id, 47-48).
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