“Brecht held that an actor should play his role from a distance, almost tongue-in-cheek, as though commenting on the part rather than losing himself in it. He felt that even the backstage activity should be made obvious to the audience. The point of theater, to Brecht, wasn't for the spectators to lose themselves in the play, but to consider the issues raised, reflect on the interactions of the characters, think about different possibilities and outcomes” (Dirda, 2008: 37)
DIRDA, Michael (2008). “Spellbound” in The New York Review Of Books, December 4 – 17, Volume LV, Number 19. New York: The New York Review Of Books.
DIRDA, Michael (2008). “Spellbound” in The New York Review Of Books, December 4 – 17, Volume LV, Number 19. New York: The New York Review Of Books.
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