“– Yes but that's what you mean isn't it, about creating an entirely different world when you write an opera, about asking the audience to suspend their belief in the...
– Not asking them, making them, like that E flat chord that opens the Rhinegold goes on and on it goes on for a hundred and thirty-six bars until the idea that everything's happening under water is more real that sitting on a hot plush seat with tight shoes on and...” (id, 111).
– Not asking them, making them, like that E flat chord that opens the Rhinegold goes on and on it goes on for a hundred and thirty-six bars until the idea that everything's happening under water is more real that sitting on a hot plush seat with tight shoes on and...” (id, 111).
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