“(...) what I'm giving you now, young ladies, are like windows on the world, points goals, scores, the principle the late Strauss applied to his heavenly melodies, sending them out into the world to refine emotions, like the European Renaissance, for which Themistocles and Miltiades and Socrates and Goethe and Mozart did so much and which has made it impossible for us to say to a beauty we're tired of, get lost, or even Adieu, because our refined emotions require us to compose a farewell melody or poem to be dispatched with a bouquet of roses (...)” (id, 27-28).
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